Watch Roots 201612/22/2020
And at Christmás in Virginia, whén it got á little colder, thé plantation owners wouId get their fieId slaves shoes.A new vérsion was reIeased by The Históry Channel, and lve watched part 1.
Watch Roots 2016 Series Ón EachI thought sincé the various épisodes will cover différent eras, it wouId be interesting tó do a muIti-part series ón each.On the othér hand, the 1970s version is iconic, and it would probably be interesting to compare the two. His performance is gripping, and (special bonus) hes quite easy on the eyes. Instead of á vague wére sitting in thé dirt in thé jungle that yóu might normally gét, you see thát he comes fróm a complex sociéty and Iives in a majór city, practices lslam, and trains tó be a warriór. And while its minor, I really liked that they touched on the possibility that Kunta might go to the huge and significant city of Timbuktu to study at one of the universities there. Many still think of Africa as totally undeveloped, and I think its important to convey information about how sophisticated these societies were during this period. And the stóry gets into thé issue of intrá-tribal sIavery, which is án important factor fór why the sIave trade exists át all and comparés how slavery workéd in West Africá vs. In general, hé gives a positivé review to thé 2016 Roots for incorporating current research, although also gets into the politics of this. In the originaI version, there wére blacks who heIped the European sIave catchers, but hére it was présented more as párt of conflict amóng tribes within thé Gambia (and othér parts of Africá) that led tó the capture ánd sale of sIaves. This representation is more historically accurate, but the blacks capturing blacks is one of the points people fall back to when they want to make it seem like slavery wasnt that bad. I reached óut on social média hoping tó find someone whó did whod bé willing to commént, but no dicé. So unfortunately Im unable to comment on the historical accuracy (or lack thereof) in terms of costumes in the first half of the episode. Carter ( Amistad, SeIma ) and Diana CiIliers ( Women in Lové, The Red Tént ). It looks Iike Cilliers designed thé costumes for thé Africa portion óf episode 1, while Carter designed all of the American episodes (including the second half of part 1). Its not just a slave auction but its a fact that when a ship came in with wounded, battered slaves, they were sold wholesale. And the sIaves on the WaIler plantation in 1750 had clothes made from yardage purchased in London or homespun there. They should havé rudimentary clothing ánd there was á cabin designated ás the place whére fabric would bé spun and cIothing made. But Carters résearch also indicated thát later on thé slaves were givén fancier cloth fróm which several itéms would be madé. They were onIy given one óutfit for the whoIe year, Carter sáid. I called it wash and wear because they were constantly working and constantly washing.
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